Gimple previously told Insider how he fought to save Carol from a comic death in season three that went to T-Dog. Feeling dejected and alone, Carol walks straight into a walker and allows it to kill her. Feeling like she's lost anyone who ever loved her, she inches slowly toward Lance and considers letting him bite her neck.Ĭomic fans will recognize the scene mimics Carol's final comic moments from issues No. 41Īs Pamela (Laila Robins) realizes she's lost everything - her son, her rule over the Commonwealth community - she spots her former right-hand man, Lance Hornsby (Josh Hamilton), has been turned into one of the dead. Pamela channels Carol's comic death from issue No. They can, and should, be better to those who are still here. In the finale, Daryl finally verbalizes more clearly what he meant back in season five by saying they're not monsters. The finale moment vastly improves a line of dialogue from years ago on season five, episode 10 where Rick suggests his group can only survive by telling themselves they're "the walking dead." Daryl rejects that idea by simply telling Rick, "We ain't them," getting up, and walking away. That's a stance Daryl has strongly believed for years. In the finale, Daryl takes a stand to say it's always been the former. Others have considered the title comments on those who are still living, marching out their days, waiting to possibly become the dead. It could be referencing the actual dead walking among the living. We ain't the walking dead."įor years, the title of the show has been interpreted in one of two ways. That was the fucking problem," Daryl tells Pamela. "You built this place to be like the old world. The finale improves an exchange of dialogue from season five where Daryl tells Rick they're not "the walking dead."Īs Father Gabriel's about to be shot, Daryl steps up to say they all deserve better than this. "We were already shooting with the black eye on the day that he hit his head," Kang said. Both showrunner Angela Kang and Nicotero told Insider the black eye was all make-up and wasn't a result of any injury. Fans may be curious if the black eye was some sort of workaround for Reedus. We simply watch him fall down.ĭuring finale filming, Norman Reedus suffered a concussion on set. It seems like part of this scene may have been cut down because Daryl is never seen getting hit in the face in the final episode. When we spoke with Nicotero, he hadn't watched the completed finale. "When he's unconscious and Judith sees him and then when he wakes up again, that's where he was hit in the face." "It was the sequence where he gets hit by the troopers," Nicotero said, suggesting the black eye was something Reedus wanted. We asked Nicotero if he could explain what was going on with Daryl's black eye since it's not super clear in the episode how he gets hurt. Norman Reedus' on-set finale concussion didn't have anything to do with Daryl's distracting black eye make-up on the finale. With the finale, McCreary was able to have it evolve one last time. We'd add subtly different parts to the string writing so that you're gonna hear the mix change and evolve as the series went on." "Usually every week when I did a new session with the string orchestra, we would add a new layer. It doesn't always begin the same way and it doesn't always end the same way," McCreary said in 2011. "As the show goes on you're gonna notice that the main title goes through some subtle changes. McCreary released a YouTube video in 2011 breaking down the making of the main title score for "TWD." His wish was to always return to the title score and have it slowly evolve and change as the series carried forward. Not only does the score itself sound different because it was performed live, but it's also an expansion of what we normally hear week to week. Three of the people who worked on the original main title score with McCreary over a decade ago were in the room with him working on the finale. In July, "TWD" composer Bear McCreary revealed on Twitter he scored the final episode with a massive orchestra in Los Angeles alongside co-composer Sam Ewing, who joined the series in season nine. It often indicates a user profile.Ĭomposer Bear McCreary always wanted to have an evolving "TWD" main title. Account icon An icon in the shape of a person's head and shoulders.
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